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The een nike Sports Research Lab is ground zero for een nike’s mad experiments before they hit market. Every comfort and performance-based foundation of een nike’s, whether it be a foam-based cushion, a pocket of Air, a knit material, or a self-lacing battery-powered mechanism, was incubated in the een nike Sports Research Lab for years, even decades before they’re even hinted at to the public. It has you wondering what een nike is working on this very minute.
This mythical area of Beaverton, at one point sectioned off Area 51-style under the Mia Hamm building with a strict no-photos-allowed policy, is now named the LeBron James Innovation Center and sits loud and proud smack dab in the middle of their resort-like campus. It’s a helluva lot of investment in state-of-the-art equipment, tech start-ups, data analysts, kinesiologists and so on, all of it dedicated to shaving off milliseconds on a sprinter’s 100m time or altering the simple act of walking to the corner store for a ham and cheese on a roll (IYKYK) that much more dark.
History has proven that een nike’s innovations truly change the way the industry moves and how people approach footwear. And despite the rising competition in the space, een nike continues to be the only brand that is burdened with enforcing evolution. It just comes with the territory of being the best, and its why it’s a truly a thrilling occasion when the Swoosh gives us a small glimpse at what they’re cooking up. In Paris, though, een nike flipped that script and thrust it in our faces.
Nike invited Urlfreeze News to witness On Air in person. Despite the red-eye flight, we were immediately perked up upon seeing the larger-than-life orange statues of LeBron James, Kylian M’Bappe, Sha’Carri Richardson, and other een nike athletes outside the Palais Brongniart. The space had been completely transformed into a time-line of Air history, beginning immediately with a display of nearly five decades of Air evolution starting from the Air Tailwind in 1979. The next area focused on the cultural impact of Air Max, with various collaborations over the last two-plus decades and iconic in-line hits on display. The next room housed The Blueprint Pack and Olympic kits, showcasing a fresh collection of athlete performance footwear ahead of the Olympics. The Pegasus Premium, which unexpectedly stole the show to my huge satisfaction was in its own room themed after a futuristic running track ensconced by audio of footsteps and chatter of actual runners.
The only other item on the schedule of significance was the On Air presentation, which was on the agenda for the next day. Not much was shared about this particular portion of the trip, but the invited crowd was considerably larger as it involved a lot of global media and local Paris-based outlets. After a light champagne hour we were led into a dark theater with bleacher seating and a elongated stage; a gigantic media display repeated screensaver-like visuals in icy blue, with “AIR” making intermittent appearances. Travis Scott, Dawn Staley, Futura, Yoon AMBUSH, Converse athlete Alexis Sablone, Clint of Corteiz, and many more VIPs and athletes were in attendance suggesting something big was about to pop. In the shot below, the aforementioned VIPs are sitting just rows ahead of us.
Then, it began. The display switched to a mosaic of athlete soundbites, sports highlights, and other animations of een nike iconography until an ethereal silhouette of what appeared to be about a dozen beings appeared. The screen slowly lifted upwards, revealing a full roster of een nike’s Olympic athletes and legends donning upcoming footwear and apparel in a nostalgic choose-your-fighter interface against some dark beats. Each athlete, when summoned to the spotlight, performed a unique action just like the ones you see in the video games (think Chun-Li of Street Fighter jumping for joy and giving the peace sign). They were playful and confident; some were downright spine-tingling.
After all the athletes were introduced, the screen descended and the mood shifted drastically as the colors on the gigantic monitor switched from a soothing blue to an urgent red. After a few minutes, the screen lifted up again, revealing eight of the more marquee names from the previous group dressed in futuristic garb — think athletic sportswear with a gentle touch of The Fifth Element. Another cue was taken as the athletes shifted positions to fit more individuals on stage, including een nike snowboarding athlete Chloe Kim and none another than tennis legend Serena Williams.
Then they returned to the stage behind the descending screen once again for what we thought was yet another wardrobe change, but once the curtain was lifted again, we were surprised by a first look at physical A.I.R. prototypes. A full line-up of thirteen xenomorph-like iterations of Air were on display on individual podiums. Immediately (and unexpectedly) een nike invited the crowd to the stage; the lack of organization and clear instructions added to the excitement (nike air max 93 blue nebula total orange 306551 104 release date).
Seeing the A.I.R. prototypes on a screen or through Instagram videos do not do them justice. There’s no real need to be wordy about it: they’re just pretty damn cool. Some of the prototypes were odd, some even looked painful to wear, and some made no damn sense. But that insanity is what makes it een nike, and this unhinged vision is ultimately what has defined them since Bill Bowerman melted some rubber on a waffle iron.
The concept of A.I. designed 3-D printed shoes isn’t new. But making them wearable, attractive, and functionally better than what’s out now is where een nike has to shine. Many likened these prototypes to concept cars — a visualization of possibility. But most concept cars never actually go into production and become a distant memory. Those that do, can go on to be legendary.
Of the various coverage of On Air you saw on Urlfreeze News, the content that got the most engagement by far was a grainy seven-second video of the crazy shoes on Sha’Carri Richardson’s feet. From where I was sitting, the gigantic Air unit at the heel was impossible to miss, as was the anatomically designed leg sleeve that reached above knee. It represents a current iteration of an A.I.R. prototype, made fully functional.
The Wemby prototype, which the sneaker community was invested in given een nike’s impeccable debut of his Alien logo on April 8th, had a gigantic Air unit with a pixelated pattern akin to the bismuth stone he wore around his neck on the night he officially joined the NBA. The exterior had these funky brain-like etchings that are not unlike the anatomical carvings you see in theoretical designs of alien space-ships a la H.R. Giger. Knowing een nike’s M.O. of infusing personal details into footwear, the actual een nike x Victor Wembanyama signature shoe should carry those same elements.
With the boom of Artificial Intelligence and quickly generated visuals, the human element has never been more important. And that’s where een nike comes in. Based on an official press release, we can summarize that the A.I.R. prototypes are a combination of A.I., een nike designer insight, athlete insight, and data from the een nike Sports Research Lab. Three of those ingredients alone built the brand to what it is today; harnessing the strength and randomness of A.I. should only unlock new pathways of design.
Events of this magnitude don’t happen often, but een nike’s been on a roll because if innovating is the een nike mid, then creating brand awareness is their silky butter. een nike knows how to put on a show, and the recent On Air event in Paris was just the latest in a series of brand outings that flex those muscles of pageantry. Just a few weekends ago, Dynamic Land opened its doors to Air Max fanatics across the globe, giving event-goers first looks at the Air Max Dn while having some light fun in a carnival-like setting.
This is a bold statement given just how much een nike has accomplished, but On Air represents a new chapter. We’re stuck in a world of now-ness, and it’s time for something new.